As nice as it can be to play a game in peace at an event – two hours in this case – it can be frustrating at times. Especially if you don’t start from the beginning. Nioh 2 would be such a case. Just imagine you’ve never played a Dark Souls clone, maybe The Surge or Lords of the Fallen. You know the general mechanics of the genre, so you’re not completely lost, but in the middle of the game, where you should start now, you not only have all the weapons you could normally find and you are a bit of a specialist, everything from these weapons are always at the highest level. Two dozen of them. There are dozens of articles that you can read the benefits of in a few words, but the real gameplay of which means you can barely guess. The opponents are designed so that you know not only the moves so far, your possibilities and speeds, but also the depths of the levels, the special attacks, all things in the inventory. You have no chance of really understanding all of this if you only want to make three rooms in the allotted time.
To say that I felt a bit unfairly treated here at Nioh 2 would be lovely. But we grow up with the tasks I take on and… often fail the section boss and his optional colleague. The rest is not easier if that is your concern. It is above all the opposite of the direction that From Software itself took with Sekiro. There you have a lot less stats, items and weapons, but it depends on mastering a few arm specials and especially perfect timing. Nioh 2, on the other hand, plays a lot slower, soul-like, and relies on an overkill from all of these other things that kicks in at this point.
You have three attitudes in combat. If your samurai is holding the weapon above his head, it is quite open and the attacks take a relatively long time, but they hit when they hit. If you hold the gun, you will quickly put your hand down and the middle is the middle. These poses also change their effectiveness depending on the weapon. A sickle chain behaves fundamentally different from two swords or a two-handed weapon. There’s even a Transformers weapon, the shape of which is optimized to match posture, and like all multi-talents, you have to accept that each of its three forms is beaten by the best weapons in individual disciplines. But not at all. Since bosses seemingly left you with little room for mistakes or wasted potential, your weapon choice made more sense. But at least you two can set up quick access.
Then there are ranged weapons which are extremely good at shifting the fight a bit towards you at first. There are a few enemies waiting in the optional boss room otherwise that would be too boring and sorting them out ahead of time is of course a huge bonus. Here, however, it’s the drastically limited ammo that slows you down and usually needs to be farmed by opponents at regular distance. This is how a boss race should be carefully considered, because to function well, that means frying the precious Muni. Another element that goes with a gaming session like this to a limited extent.
And yet… I loved my two hours with Nioh 2. Even if in the end it was “just” another Japanese black soul with a certain degree of overkill, it didn’t make me happy, it was once. more ridiculously strong To still face enemies the joy of exploring a demolition. After all, a good soul is ultimately even better than most other things that come your way and I have no doubt that Nioh 2 should be exactly that.
It’s just a pleasure to approach an oversized monster that sinks between the carcasses, circle around, dodge, learn its moves and finally counter with yours. It helps a lot that the monster design sometimes looks perfect. Mystical and scary at the same time, quite strange, but still in keeping with the theme of ancient Japan. But don’t be fooled and happy if a swordsman who looks harmless in comparison stands in front of you. As always in these games, the more quiet opponents are the fiercest and this rule always seems to apply here.
In the fights themselves, I was impressed that good ol ‘blocking and strapping was much less of an option than the last. Blocking just costs too much stamina. It is worthwhile to keep moving more, practicing exact counterattacks and thus unbalance the opponent. He’s similar to Sekiro on this point, but not nearly as brutal in timing. But anyway, if you take a quick peek and pull back or even stop repeating it over and over again at best and worst case scenario, the fight will be over with you after a few seconds. It is often a question of launching the good counterattack then to take down quickly.
It helps you that the hero is himself a half-demon. As expected, you can briefly transform into a demon and with the right timing this can dramatically shorten a boss fight. But a lot of times it got me out of rhythm more than anything else. Another point which is probably due to a fall in the middle of the game. Difficult in timing, but much more efficient, I found some sort of demon counter that only gives you a demonic smile for that counter and surely gives something to the somewhat surprised opponent. One more system that needs to be mastered from the get-go and always wants to be considered, which increases my concern that Nioh 2 is trying to impress a bit too much with too many features and could go overboard. But that remains to be seen.
Where it hits, this is the scenario. Of course, a burning Japanese fortress still brings back too many memories of Sekiro, but the much higher demon horror vibe already sets your own mood. The structure of the level itself is what you would expect. Little by little, you open the doors that lead to the storage point, go down the ladders and open new paths. It’s well known and in the small section here it didn’t impress the fees. Held solidly, no prince here reinvents the archives, it seems. But anyway, with the successful vibe, I’m not complaining in any way.
Nioh 2 is the logical continuation of our own strengths. It builds on the predecessor’s systems, expands them with plenty of demonic weapons and skills in its own lore, but stays close enough to the large model that the liberation strike that Sekiro landed couldn’t take place. It won’t bother most people now, nor will it bother me. After the initial shock of the deep water was overcome, it all had to do with how a really good soul should play. Collect, explore, fight, unlock shortcuts and keep dying. What a wonderful, very long evenings are made and I guess the next time I see those warm evenings I’ll be much better prepared for them. I’m already sorry for the opponents.
Source: Twitter Feeds